news
Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. The publication has 194 pages, was photocopied in an edition of 600 on the photocopiers of the cneai, Chatou (mostly on a Toshiba e-studio 210c, but also a konica 2223 and a Toshiba e-studio 120), handsorted, and bound in a Parisian copyshop.
Old News 4 April 5th - May 24th 2008, MIDWAY CONTEMPORARY ART, 527 SECOND AVENUE SOUTHEAST, MINNEAPOLIS, MINNESOTA 55414 Old News is a non-profit free newspaper organized by Jacob Fabricius, presenting a selection of articles and images cut from newspapers by artists. Premiering at Midway Contemporary Art in Minneapolis on April 5th, Old News 4 will be presented along with Old News 1, 2, and 3 and additional projects, editions, and material by Dieter Roth, Erik Beltran, Thomas Bayrle, Katya Sander, Michalis Pichler, Hans Peter Feldmann and others . The newspapers are free for distribution.
Opening Reception:Saturday, April 5th 7-9 PM
Curatorial Presentation by Jacob Fabricius, Thursday, April 3rd 7PM
SOME FALLEN UMBRELLAS AND SOMETHING ELSE ULS is a structure based in Marseille that invites authors to fill a 12 pages tabloid newspaper with content. ULS 0: Celine Duval (Press release 0) ULS 1: Michalis Pichler (Press release 1) (upcoming) ULS 2: Peter Downsbrough
pichler pichler It appears to me, that the signature of the author, be it an artist, cineast or poet, is the beginning of the system of lies, that all artists try to establish to defend themselves, I do not know exactly against what.
THE NY ART BOOK FAIR The annual fair of contemporary art books, art catalogues, artists' books, art periodicals, and 'zines offered for sale by over 120 international publishers, booksellers, and antiquarian dealers. Admission to the fair is FREE. LOCATION FAIR HOURS
548 West 22nd Street (10th & 11th Aves), NYC (map)
Friday/Saturday, September 28/29, 2007, 11am - 7pm
Sunday, September 30, 2007, 11am - 5pm
distorted rectangle ("waving"): Michalis Pichler at Revolver Opening of an exhibition of the work of Michalis Pichler on Wednesday, July 25 2007 from 7 to 10 PM in the showrooms of Revolver, Frankfurt. Stimmen zur Ausstellung/related voices: The world is full of objects, more or less interesting. I do not wish to add any more. I prefer, simply, to state the existance of things in terms of time and /or place. More specifically, the work concerns itself with things whose inter-relatonship is beyond direct perceptual experience. Because the work is beyond direct perceptual experience, awarness of the work depends on a system of documentation. D.H. Fuer die Herren Kunstkritiker fuege ich hinzu, dass es ein weit groesseres Koennen erfordert, aus der kuenstlerisch nicht geformten Natur Werke auszuschneiden. K.S. Read Ceçi n'est pas une pipe by Michel Foucault. M.B If one focuses not only on the found object, but on the context it leaves behind when disappeared, this focus constitutes the objet perdu. A.K.
2007 Eleanor Antin, Rosa Barba, Yael Bartana, Ricardo Basbaum, Johanna Billing, Blood Music, Patricia Bucher, Harun Farocki, Simryn Gill, Luis Jacob, Almut Middel, Michalis Pichler, Gerwald Rockenschaub, Nedko Solakov, Hito Steyerl, Cosima von Bonin, Ai Weiwei
N E W P A P E R L A U N C H Wednesday 21 st March 2007 from 7 pm published by ART AFTER PARTIES with contributions by: Khuram Aziz, Fiona Banner, Jo Brinton, Craig Burnett, Brian Butler, Gordon Cheung, Martin Creed, Mirta Dermisache, Graham Dolphin, Paul Eachus, Jacob Fabricius, Angus Fairhurst, Noshin Farhid, Rainer Ganahl, Althea Green, Adrian Lee, Alex Hamilton, Louise Hokins, Melanie Jackson, Ali MacGilp, Mark McGowan, Jan Mancuska, Hugh Mendez, Carol Morley, Rebecca Page, Michalis Pichler, Elizabeth Price, Michele Robecchi, Kim Rugg, David Shrigley, Vibeke Tandberg, Kat Topaz, Andrew Stevens, Miria Swain, Gillian Wearing, Eva Weinmayr
INDO bar, 133 Whitechapel Road
Whitechapel, London E1
nearest tube Aldgate East
cover by Eva Weinmayr
order copies at www.thenewpaper.co.uk
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dictionary of war Berlin edition: February 23 to 25, 2007
The Berlin edition features contributions by: Jonathan Allen (UK) /Christian von Borries (DE) / Arianna Bove (IT/UK) / Heinrich Dubel(DE) / Stefan Doernberg (DE) / Felix Ensslin (DE) / Stefan Heidenreich (DE) / Emil Hrvatin (SI) / Peter Jahn (DE) / kuda.org(YU) / Andrea Moll (DE) / Vanessa Joan Müller (DE) / Quio & Darius James (US/DE) / Sylvere Lotringer (US) / Brian Massumi (CA) /Khalo Matabane (ZA) / Avi Mograbi (IL) / Martin Neumeier & Nathalie Landenberger (DE) / Michalis Pichler (DE) / Rimini Protokoll(DE) / Saskia Sassen (US) / Armin Smailovic (DE) / Simon Starling(UK) / Marcus Steinweg (DE) / Stephan Trüby (DE) / Meir Wigoder (IL) & Irit Rogoff (UK) / Soenke Zehle (DE)
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as of may 20 2003 8pm the show “mehr licht!” at the Goethe-Institut/InterNationes features the agressive absence of the “ny garbage flag profile.”
it was removed from the gallery entirely last tuesday on behalf of mr. blackburn and mr. uhlig, corporate executives of BrunelliNeri Productions Ltd, although the work was curated and part of the show at the opening.
i fell in love, i fell out of love, 100$, potato chips, airplanes, clouds & sky
an exhibition of the work of Michalis Pichler
on view from Saturday, January 21 through Saturday, February 4, 2006
opening reception and book launch: Saturday, January 21 from 5 to 7 PM
Printed Matter Inc. is pleased to announce the opening of an exhibition of the work of German artist Michalis Pichler this Saturday, January 21 from 5 to 7 PM. i fell in love, i fell out of love, 100$, potato chips, airplanes, clouds & sky, the name of the exhibition, is also the title of an ephemeral newspaper piece published on the occasion of the exhibition and designed to be given away at Printed Matter. At the opening reception we will also celebrate the launch of two books by Pichler, both published in 2005 by Revolver: "WAR"diary and New York Garbage Flag Profile. Printed Matter is located at 195 Tenth Avenue at 22nd Street.
In the New York Times Flag Profile, all 144 of the American flags from the New York Times issued on the first anniversary of September 11 have been cut out and pasted into a newspaper with everything else left blank.
Initially it was a handmade object, which involved meticulous handiwork and was relatively fragile.
The Production of a printwork in a larger edition made it possible to distribute the work to a broader audience for the price of $1.
In the beginning it sold mostly through exhibitions.