"greatest hits"

Michalis Pichler
Bibliophagia,
Berlin: ”greatest hits”, New York: The Center for Book Arts, 2024
420 x 297 mm, 2 pp.
Offset, loose
ed. 1000 copies

ed. Michalis Pichler
Coup de Dés (COLLECTION) (white cover)
with contributions by Luc Boltanski, Craig Dworkin, Arnaud Esquerre, Annette Gilbert, Michalis Pichler, Ryoko Sekiguchi
New York: The Center for Book Arts, Leipzig: Spector Books, 2024
240 x 170 mm, 280 pp.
Offset, sewn binding, paperback
ed. 50 copies

ed. Michalis Pichler
Coup de Dés (COLLECTION)
with contributions by Luc Boltanski, Craig Dworkin, Arnaud Esquerre, Annette Gilbert, Michalis Pichler, Ryoko Sekiguchi
New York: The Center for Book Arts, Leipzig: Spector Books, 2024
240 x 170 mm, 280 pp.
Offset, sewn binding, paperback
ed. 800 copies

Michalis Pichler
Un coup de dés jamais n'abolira le hasard (SCULPTURE)
Berlin: ”greatest hits”, Leipzig: Spector Books, 2024
325 x 250 mm, 32 pp.
Offset and laser gravure, perfect binding
(Paper) ed. 1000 copies

Michalis Pichler
ΠΟΙΗΜΑ(ΤΑ)
Athens: Agra Publishing, Berlin: ”greatest hits”, 2022
133 X 205 mm, 192 pp.
Offset and laser gravure, stitchbound, uncut 8-pagers
ed. 1000 copies

Ulises Carrión
SONNET(S)
Berlin: ”greatest hits”, 2022
210 x 297 mm, 90 pp.
Xeroxed, stapled
ed. 200 copies

Michalis Pichler
POEM(S)
Berlin: ”greatest hits”, Mexico City: gato negro, 2019
170 X 230 mm, 96 pp.
Risography, perfect binding

Michalis Pichler
"greatest hits" POSTNAIVISM poster
Berlin: ”greatest hits”, 2019
420 x 594 mm
Offset, Folded
ed. 1000 copies

ed. Michalis Pichler
“greatest hits” ALDI edition
Berlin: ”greatest hits”, 2019

Michalis Pichler
The Work of Art in the Age of Its Digital Reproducibility #TwitterVersion
Berlin: ”greatest hits”, Mexico City: gato negro, 2019
70 x 100 mm, pp.
Risography, perfect binding

Michalis Pichler
GINZA HACCHO / EVERY BUILDING ON THE GINZA STRIP
Berlin: ”greatest hits”, Baden: Kodoji Press, 2018
180 x 4200 mm extended
Offset, Leporello (folded and glued) in Slipcase
ed. 1000 copies

Michalis Pichler
NEW YORK POST flag profile,
Berlin: ”greatest hits”, Berlin: COLLAGE, 2017
280 x 352 mm, 88 pp.
Rotation offset, loose
ed. 5000 copies

Michalis Pichler
Une Seconde d'Éternité
Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016
118 x 70 mm, 96 pp.
Offset, perfect binding
ed. 300 copies

Michalis Pichler
Dichiarazioni sull’ Appropriazione / Statements on Appropriation
Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016
420 x 297 mm, 2 pp.
Offset, loose
ed. 1000 copies

Michalis Pichler
A TWO THREE FOUR FIVE
Berlin: Quick Magazine, 2015
149 x 210 mm, 36 pp.
Risography, stapled
ed. 250 copies

Michalis Pichler
The Ego and Its Own (English Edition)
with contributions by Craig Dworkin, Annette Gilbert, Patrick Greaney, Max Stirner
Berlin: ”greatest hits”, Brooklyn: Ugly Duckling Presse, 2015
150 x 100 mm, 464 pp.
Offset, thread binding
ed. 1000 copies

Michalis Pichler
De enige en zijn eigendom (Dutch Edition)
with contributions by Widukind DeRidder, Craig Dworkin, Annette Gilbert, Max Stirner
Berlin: ”greatest hits”, Ghent: MER. Paper Kunsthalle, 2015
150 x 100 mm, 464 pp.
Offset, thread binding
ed. 500 copies

Michalis Pichler
Den ende och hans egendom (Swedish Edition)
with contributions by Craig Dworkin, Annette Gilbert, Max Stirner
Berlin: ”greatest hits”, Stockholm: OEI Editör, 2015
150 x 100 mm, 464 pp.
ed. 500 copies

Michalis Pichler
≠ CHARLES BAUDELAIRE. J'ai le mouvement qui déplace les lignes
Berlin: ”greatest hits”, 2014
325 x 250 mm, 20 pp.
Offset, perfect binding
ed. 400 copies

Michalis Pichler
555 SCHNAPSPRESSE SONNETS, FOLDED, STAPLED AND SOLD IN CHUNKS OF 5
Leipzig: Lubok Verlag, 2014
210 x 148 mm, 24 pp.
Mimeography, stapled
ed. 111 copies

Michalis Pichler
1111 RISOGRAPHED SONNETS, STAPLED, NUMBERED AND SOLD IN CHUNKS OF 11,
Rotterdam: PrintRoom, 2013
149 x 210 mm, 24 pp.
Risography, stapled
ed. 101, numbered

Michalis Pichler
1111 RISOGRAPHED SONNETS, STAPLED, NUMBERED AND SOLD IN CHUNKS OF 11
Paris: ed. Christophe Daviet-Thery, 2013
297 x 210 mm, 24 pp.
Risography, stapled
ed. 101, numbered

ed. Michalis Pichler
July, August, September 2012
with contributions by Eric Doeringer, Craig Dworkin, Robert Fitterman, Michael Maranda, Jonathan Monk, Michalis Pichler, Vanessa Place, Seth Siegelaub, The Yes Men, Eleanor Vonne Brown
Berlin: ”greatest hits”, 2012
297 x 210 mm, 36 pp.
Offset, stapled
ed. 1000 copies

Michalis Pichler ed. Michalis Pichler
January 5–31, 2012
with contributions by Craig Dworkin, Kenneth Goldsmith, Jonathan Monk, Michalis Pichler
Berlin: ”greatest hits”, 2012
210 x 175 mm, 20 pp.
Xeroxed, spiral binding
ed. 400 copies

Michalis Pichler
SOME MORE SONNET(S) aka POEM(S)
Berlin: ”greatest hits”, 2011
297 x 210 mm, 90 pp.
Offset, perfect binding
ed. 400 copies

Michalis Pichler
SIX HANDS AND A CHEESE SANDWICH
Berlin: ”greatest hits”, Ljubljana: Zavod P.A.R.A.S.I.T.E., 2011
180 x 140 mm, 20 pp.
Offset, stapled
ed. 3000 copies

Michalis Pichler
Monsanto Company Earnings Call Transcript
Berlin: ”greatest hits”, Skopje: Museum of Contemporary Art, 2010
150 x 100 mm, 36 pp.
Offset, perfect binding
ed. 600 copies

Michalis Pichler
The Ego and Its Own / 唯一者及其所有物
with contributions by Craig Dworkin, Annette Gilbert, Max Stirner
Berlin: ”greatest hits”, 2010, New York: Forever & Today, Inc., 2010
150 x 100 mm, 464pp + slipcover
Offset, thread binding
ed. 300 copies

Michalis Pichler
TWENTYSIX GASOLINE STATIONS,
Berlin: self-published, 2009
210 x 148 mm, 48 pp.
Offset, perfect binding
ed. 600 copies

Michalis Pichler
TWENTYSIX GASOLINE STATIONS
Berlin: ”greatest hits”, New York: Printed Matter, Inc., 2009
180 x 140 mm, 36 pp.
Offset, thread binding, transparent wrap
first ed. 550 copies, limited ed. 50 with white UV-varnish on cover; second ed. 1000

Michalis Pichler
Der Einzige und sein Eigentum / The Ego and Its Own
with contributions by Craig Dworkin, Annette Gilbert, Max Stirner
Berlin: ”greatest hits”, 2009
150 x 100 mm, 464 pp.
Offset, thread binding
ed. 2000 copies

Michalis Pichler
Un coup de dés jamais n‘abolira le hasard (SCULPTURE)
Berlin: ”greatest hits”, 2008
325 x 250 mm, 32 pp.
Offset and laser gravure, perfect binding
(Paper) ed. 500 copies

Michalis Pichler
Un coup de dés jamais n’abolira le hasard (SCULPTURE)
Berlin: ”greatest hits”, 2008
325 x 250 mm, 64 pp.
Offset and laser gravure, perfect binding, transparent wrap
(Translucent) ed. 90 copies, numbered and signed

Michalis Pichler
Un coup de dés jamais n’abolira le hasard (SCULPTURE)
Berlin: ”greatest hits”, 2008
twelve engraved plexi glass plates 325 x 250 x 3 mm, + Mallarmé book in archival box
(Glass) ed. 10 copies, numbered and signed

Michalis Pichler ed. Michalis Pichler
Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed
Chatou: CNEAI Centre National de l’Estampe et de l’Art Imprimé, Berlin: ”greatest hits”, 2008

edited by Michalis Pichler, with contributions from: AA Bronson, Anonymous*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky
* “found” material

297 x 210 mm, 194 pp.
Xeroxed, spiral binding
ed. 600 copies

Michalis Pichler
New York Times Flag Profile,
New York: self-published, 2003
580 x 360 mm, 144 pp.
Rotation offset, Folded
ed. 1000 copies